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Luis Jaime Cisneros, a great teacher

In life, you're going to have different fathers, the bio that accompanies you from birth and goes with you, most of the time, on your first steps. You have spiritual parents who give you a sense of life that are very special in your memory to recall them in moments of encounter with her. But parents have plotted your life, because they helped you find your vocation. That was for me, Luis Jaime Cisneros. I was his student since 1978 several times during my time in the classrooms of Catholic. In many ways, he was Catholic. Master classes in which the board and used some more word, speech, were classes in which he, as a teacher, you appealed your human qualities, your sense of humor, your broad understanding of the world and your love of language you'd acquired throughout your life so that dock in their classrooms. Suddenly, we did see how wonderful it was speech, and even more wonderful to know that this was the order of the universe, a language that I used as the measure of all things. In his classes, I remember the massive presence of students not only enrolled in their section, but other visitors, Luis Jaime us was opening the mind to the university world, to what is coming ahead of us, think the fact that you are a citizen of this world, this society and your place in it. Luis Jaime did not want memorizáramos, I wanted to think. Our notebooks were full of notes for, as were extensive, extensive bibliography was also had to address, reference books, elementary books, supplementary books. He invited us to read Saussure, Martinet, Benveniste, Jakobson, Chomsky. His intellectual side was splendid and rigorous studies with Peruvian literature of the colony and a wonderful course Quixote, who took 4 months to read it in all possible planes. His pedagogic and intellectual remain in my mind for the bright classes in which Cervantes phrases were crushed to enter fully into baroque Spain that had been in the making. His thoughts were accompanied by a broad intellectual source which we volcábamos at the time when the Internet was not even imagined. And we read, discussed, indágabamos by presenting topics that we would in class. I remember his classes Generative Grammar and passion that ignited in me by the Chomsky approach under discussion.
But the most interesting background and marked my life was the man, the Professor of flesh, blood and bone that lies behind the knowledge, the person you talks about life as it is understandable and you do not need someone to give you a light to go ahead. Et Lux in Tenebris Lucet. That's why he was in some way, the Catholic. I worked with him almost a year and a half practices dictábamos to cachimbos, until one day, his parsimony, I was invited to teach at a school in Lima. He spoke to another teacher, Leon Trahtemberg , to be interviewed. Luis Jaime said, "you paste a teacher" was a 1983.
Years later, in 1999, when it was installed in Trujillo, Luis Jaime called after many years of "having lost" his way. When phone, with remarkable memory, Luis Jaime said: "Gary, hello, man what has become of your life?" Approaching him after long absence was not hard, never was unavailable to their students, or divo, or capricious. A man who conversed with another. Life lesson I learned from their actions. All were received with kindness and respect. For their visit to Trujillo, I asked him a lecture called "The Importance of Humanities in the XXI Century." His lecture, as I mentioned it a number of attendees, was of a high intellectual level, many teachers who came other areas was recognized university. But as the world now, a football game was more important to many people (teachers included) to listen to the brilliant explanation that it had served for many people now that education is a factory to make robots and money. One has only curricula of universities to see the direction they took and what Luis Jaime somehow warned during his speech.
Luis Jaime is gone. In some ways, better for him not to feel the pain of seeing the dumbing down of education at all levels, to avoid being embarrassed witness this deplorable social situation where premium ease, speed, copying and the cult of success. Perhaps you have felt uncomfortable in life, having been a teacher of people currently known to dishonor their teachings. I'm sure.
I hope the site where he is now, if it exists, I hear his teachings. Great man.

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political calculation: FELL Crousillat, "ACCOMMODATION IN APRA?

month's capture took place suspiciously delayed (eight months) today, January 10, on the verge of internal elections in which APRA political figures challenged can go to the polls withdrawal if denied their involvement in these new presidential elections on 10 April. The capture of the released Crousillat was one of the slower and it has every appearance of being a political move in the most critical moments of the ruling party.


In a survey conducted recently in our city most respondents have a very knowledgeable animus against political parties. The actions of all elected governments during the past was deplorable, and parliamentarians ineffable not stop surprising us with his actions, which serve only to worsen their image as honest representatives of our society (although at the bottom of society is reflected in their leaders and the management of media). This situation has been deteriorating in the circus that has become lists of MPs each party is preparing for elections in April. The extended family, last minute arrangements, the recruitment of people with images of popular (beauty queens, athletes, former police chiefs) have made this election a real carousel economic positions and moved quite interesting and dubious in terms of seriousness and commitment (known to many people who have submitted to Congress as guests have finished switching to other electoral alliances, as the case of Torres Caro unspeakable and useless). To crown the whole atmosphere, Araoz called a bath of transparency and honesty in one of the most disputed political parties and that is in the government, a situation that has led to a clash with former Prime Minister Jorge Del Castillo.

First explained the context and background, how does Crousillat capturing the political scene? What favors and trips are coming soon before the party primaries? Any sane person is suspected that this capture just falls into a movement of chips in this chess game to be moved until 10 April. AGP no longer requires advertising and promotion towards the current government. But there are several indirect ways to do it. And in this, our dear leader knows how to do it. The possibility of an overthrow of Aráoz could occur in the following moves to be made between now and January 16, moved from short to medium term, since the effect of these should be up to the elections themselves through the media addicted to government accommodation or later (worth truths, the capture of one of the most powerful of the fourth power in the Fujimori era is an accurate reflection of what moves in the media in which political and economic interests dye content and publishing them).

moved were the days come and many actions will soon jump into the ring, some to discredit the political fauna (there are so many stalks of straw to burn) and hide, in fact, the mediocrity of the same. The moves are to be interesting, we'll see how Aráoz stand out and Del Castillo, characters that are confronting. While moving the tabs, this capture will be well capitalized by APRA at a time of internal storm. Del Castillo leaving the bathroom of morality and corruption will give a new face, a situation that will strengthen Aráoz cleaning action in the face of the ruling party. If there is Del Castillo, must arise at this pressure the judiciary a campaign to clean the past of Del Castillo, to be immaculate to 10 April.

seems that now "Anything Goes."

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HOWARD HAWKS, THE OLD SILVER FOX

"Roll a few good scenes and not bore the viewer "

HOWARD HAWKS

One of the most versatile authors of American cinema, has Hawks been the classic gangster film to comedy, western musical. Film was a true craftsman who rushed the genres of film with sound proposals, with some films that are classic and laid the foundations of the genre in question. His films are veiled criticism of customs and values \u200b\u200bof American society of his time trying to tear down myths on the economic and socio-economic advancement of the 20's, golden years of the underworld.

faceted director (he was also aviator, aircraft designer, among other things) was born on 30 May 1896 in Goshen, Indiana (USA) studied mechanical engineering at Cornell, but his times did Vacation his first forays into film in Hollywood. According to Todd McCarthy, his biographer, his experience in engineering studies, and its passage by the United States military was, to some extent, decisive for subsequent film career. Works carried out both in the silent period (8 films in total) and the sound, space has to make his masterpieces. Hawks was a director with his own style, like a sober film with good acting and direction throughout the operation of the camera in order to achieve each of their players a whole for enriched text language film about the construction character. Hobnobbed of good writers to make direct text, short, but brilliant. Moreover, despite working for various studios, maintained some independence from her film work. Often rewriting himself, some scripts and not passed through the supervision and censorship of the institutions for which they worked, and spent most of the time with some slack, a privilege that only had also Alfred Hitchcock. Augusto Torres

divides his work on "four points": the works centered on a man in danger, the comedies focused on combating gender, westerns and unclassifiable, we can run them into the film noir (as does Antonio Santamarina .) He was a man surrounded by smart people who somehow worked for him as the case of Henry William Faulkner or Hemingway. Although he was very keen attitude towards women (for example, said that women "hindered the action in a western), many female prototypes will be standard for the description of some female characters is in society and in construction of characters in the film. Film scholars as Mark Cousins \u200b\u200bexplains that the women presented by our Director are often harsh and, conversely, men appear humiliated, even said that it had some preference for working with male characters led by actors impassive and contents, if John Wayne and Humphrey Bogart. Every genre he touched it tasted print your touch touch, they said David Boxwell, is closer to the irreverence, violation. And one of those features is the nominalization of his characters, with the use of nicknames or aliases that drew the conventional frame traditional family and interpersonal relationships.

Hawks was a December 26, 1977, two years after the Academy was recognized at last (as happened to Chaplin) with an honorary Oscar. But it remains as the greatest twentieth-century romantic realist, in the words of Cousins.

SCARFACE (SCAR) (1932) A masterpiece of construction of a figure as popular as it was the gangster, idealized character that somehow becomes the paradigm of American idiosyncrasy and the American Dream: the famous self-made man, who wins for himself and becomes a man social and economic success (much like what happens now with the concept of success and their close link with the money.) The critique of society then it lasts for as contradictory as it is then these rich and powerful men (as with drug trafficking in our country). Given the way he presented this film was censored, cuts and changes in the telling of it. Throughout the film, we see scenes of violence, a faithful reflection of the underworld from anywhere in the world and any time in history (see today if the gunmen, who are already beginning to have a presence in our society). The management of codes, signs, icons, that identify them as a kind of social group became a model for other gangster films in general of a series called film noir.


BRINGING UP BABY (LA FIERA DE MI NIÑA) (1938) A quirky comedy that is confined between the films focusing on the battle of the sexes between Gary Grant, the paleontologist David Huxley, and Katharine Hepburn (Susan). An eminent professor his work is threatened by a nosy young heiress and willful. The situations that are happening throughout the story are quite hilarious, as pets impertinent accomplices aunts, fierce wrong - two leopards, "the most recurring gags. Each scene leads to the next driven by the actions, situations occur each more embarrassing and laughable. At first, Grant was reluctant to do this role. We will paint two things: the liberalization of women and their sweeping advance to the men, on the one hand, and a veiled criticism of American high society, defiant, transgressive, not sparing anything or anyone to achieve their goals. In some ways, this film presents one of the prototypes female the universe of our director. There was an immediate success, almost was a box office failure, and according to the same Hawks, confesses that his characters are too quirky to which the public would not find a focal point to which "tie". But it was a great comedian, Harold Lloyd, who said seeing it built the best comedy I'd seen in movies.

THE BIG SLEEP (The Big Sleep) (1946) An extraordinary film with the help of three good writers (including William Faulkner), based on the novel by Raymond Chandler (a of the great crime novels) and features the classic pair Bogart - Bacall, who came to work together in another movie from our director: To have or not have. The story revolves around blackmail gets the daughter of a multimillionaire retired military. It appears our detective Phillip Marlowe, who moves in a quite gaseous double standards, fairly marginal, but which is most of the characters that appear throughout the film. Marlowe moves in a minefield for the erotic, the criminal and dangerous, since over the narrative, the detective did not end up putting people who are on your side or not. And, throughout history, we see a decadent society, values \u200b\u200bmangled, marked for power and money, a land where anything goes. And this makes it one of the pinnacles of the genre black.


RIO GRANDE (1959) A western classic, a masterpiece of the genre. This work could be included in the group of films that include stories of one man against big decisions. In this case, a sheriff who has captured a more powerful brother of the offender in the region. The sheriff is supported by a group of men who would question an outcome in their favor. As the destination is already established within the tragedy. But the mission of this old sheriff (John Wayne) is to carry out justice. An interesting role of the femme fatale (Angie Dickinson) "Feathers" (feathers), who play a role far from betraying or to interfere with the action (as Andres Caicedo), assumes a more active and decisive role in the plot. It is the hand of the director who makes an acting and scene management that makes it a miss work. As Bedoya says, is the camera work allows us to capture the details that makes his characters human and large at once.


Sources:

Diccionaire des Films - Bernard Rapp, Jean-Claude Lamy, Larousse, 1995.

The Great Illusion - No. 04, First Semester, 1995.

The American Cinema in 120 Films - Augusto M. Torres, Alliance Editorial, 1994.

Black Cinema at 100 Movies - Antonio Santamarina, Alianza Editorial, 2006.

The 120 Best Movies - John Kobal, Alianza Editorial, 1995.

Film History - Mark Cousins, Blume, 2005. Ojo

Cinema - Andrés Caicedo, NORMA Group, 1999.